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Editor's ChoiceMies, the Modernist Man of Letters
Architects: Nakahira Architects
Location: Shima, Mie, Japan
Architect In Charge: Masaru Nakahira
Area: 126 sqm
Photographs: Ken’ichi Suzuki
Chad Kellogg and Matt Bowles of AMLGM have envisioned a new residential tower typology for New York that can connect and transform unused space surrounding various transportation hubs into a dense, mixed-use housing tower.
The proposal, dubbed Urban Alloy, which won first in Metropolis’ Living Cities Residential Tower Competition and received honorable mention in Evolo Skyscrapers 2014, is capable of responding to a number of unique spacial and environmental situations, providing a new way for the city to grow “organically” and provide adequate housing for the expanding population.
Read on for the architect’s description…
Winsun New Materials, a construction firm based in Suzhou, China, has successfully built ten small-scale houses using a massive 3-D printer. The 22 foot tall machine uses glass fibers and cement to produce building elements, such as walls, in successive layers. Winsun estimates that their printing process is approximately half as costly as traditional construction methods. Acknowledging China’s strict environmental policies, the company also has plans to use scrapped construction materials to print future buildings. You can read more about this ongoing project in this article from the Wall Street Journal.
The curators of the U.S. Pavilion for the 2014 Venice Architecture Biennale has unveiled OfficeUS, a “radical experiment” that explores the ways in which “space, structures, and protocols of the U.S. architectural office” have influenced the construction of Modernity.
New York based architects Leong Leong, graphic designer Natasha Jen (Pentagram) and technology consultants at CASE have been commissioned to re-design the U.S. Pavilion in Venice’s Giardini as a modern architectural practice. Eight architects will be selected from an international open call to serve as the ad-hoc practice’s acting principles, collaborating with 90 satellite offices from around the world to revisit and re-envision historical projects from an onsite archive of 1,000 buildings so that they may construct an agenda for the future production of architecture.
For those unfamiliar with Valparaíso, allow me to inform you: this city is a treasure. The UNESCO World Heritage site and cultural capital of Chile is defined by its winding paths, happily graffitied streets, antiquated funiculars, and – above all – its colorful, tightly-packed hills. And because of its precarious density, the city was brought to its knees by vicious forest fires this past weekend, fires which quickly spread and consumed 2,500 acres, displacing over 12,500 people whose homes were destroyed.
The hills where the fires hit hardest are similar to Brazilian favelas – inhabited by informal residents who have little to no access to infrastructure and who constructed their homes themselves, illegally, and – as the fires have proven – rather perilously.
The response of the Chilean government so far has been to suggest bulldozing and building again in “a more orderly manner.” To do so, the government has intimated that it will expropriate land and relocate citizens to safer sites.
However, residents have already begun resisting this potential outcome. As ArchDaily correspondent Nicolás Valencia reported from Cerro Ramaditas (one of the hillside communities most devastated by the fire), many have refused to leave for fear that their land be taken from them; those that have gone, have left markers “cordoning off what they consider theirs with pieces of wood or metal cans.”
It’s a troubling dilemma: evict victims from the only home they’ve ever known or relegate them to lives at risk of future catastrophe. But could there be another way?
This review of Detlef Mertins’ book “Mies” – by Thomas de Monchaux - originally appeared in Metropolis Magazine as “Mies Reconsidered“. According to de Monchaux, Mertins reveals the modernist master as a voracious reader who interpreted a wide variety of influences to arrive at his stripped-down style.
The quintessential page of the 528 that make up Detlef Mertins’s monumental new monograph on Ludwig Mies van der Rohe—entitled simply Mies (Phaidon, 2014)—is 155. There, you will find a reproduction, a page within a page, of page 64 of Romano Guardini’s 1927 book Letters from Lake Como—a book about modernity and human subjectivity—with Mies’s own annotations penciled in the margins, in a surprisingly ornate and delicate hand.
And there, you will find Mertins’s notes on Mies’s notes on Guardini: “Of all the books in Mies’s library, Guardini’s Letters is the most heavily marked. Mies highlighted passage after passage with bold and rapid margin strokes and wrote key words diagonally and in large script across the first pages of many of the chapters: Haltung (stance), Erkenntnis (knowledge), Macht (power).” Mertins’s vivid marginality, his attention to the divine details along edges, recalls the experience of reading the Talmud, that commentary on Jewish law and scripture in which, by marking and emending earlier readers’ marks and emendations, generations of rabbis enacted an intimate conversation across time and space.
Read on for more insight into Mies’ influences.
Tod Williams has broke his silence in his first interview since the Museum of Modern Art announced their decision to raze the former Folk Art Museum, expressing devastation that the building will be “reduced to a memory.”
“Yes, all buildings one day will turn to dust, but this building could have been reused,” Tod Williams. “Unfortunately, the imagination and the will were not there.”
Though MoMA has promised to preserve the building’s iconic copper-bronze facade, Williams is concerned it will forever stay in storage.
Proposals are being suggested on how to resurrect the facade, as the New York Times reported, including a concept from Nina Libeskind, chief operating officer of Studio Daniel Libeskind, and AIA New York executive director Fredric M. Bell that will be presented to MoMA next week. However, Williams expressed disinterest at the idea of installing fragments of the building elsewhere.
Building resilient and sustainable urban centers. That’s going to be the main issue that over 30 speakers will be addressing at the Cities for Tomorrow Conference next Tuesday, April 22 at TheTimesCenter, NY. The event, hosted by NY Times architecture critic Michael Kimmelman, will feature Shigeru Ban‘s first public appearance since winning the Pritzker Architecture Prize. His presentation will be on the eve of the conference, on Monday, April 21. Although the reception is invitation-only, we will be live-tweeting the presentation.
Title: Conference: Cities for Tomorrow
Organizers: The New York Times
From: Mon, 21 Apr 2014
Until: Tue, 22 Apr 2014
Address: 242 West 41st Street, New York, NY 10036, USA
Building on the success of their first Winter school in 2010, ManTownHuman’s “Critical Subjects” school returns this summer. The week-long event that will serve as a platform to debate vital architectural questions as diverse as “what is ‘nature’?”; “whatever happened to the avant garde?”; and “what is architecture for?” Applications are currently open – 30 of the UK‘s keenest architecture students will be chosen for their critical and innovative thought.
The school will visit a different venue each day, with hosts including Zaha Hadid Architects, Arup Associates and The Architectural Review. In a series of lectures, debates and design challenges, students will be expected to explore these topics in greater depth than is usually possible in architecture school, challenging the method of received wisdom that is increasingly taking hold in education, as explained by event organizer Alastair Donald in his article for The Architectural Review.
Applications are open until May 7th, with the event taking place between July 13th-19th. For more information and to apply, visit the event’s webpage here.
Title: Critical Subjects: A ManTownHuman Summer School
From: Tue, 15 Apr 2014 12:18
Until: Tue, 15 Apr 2014 12:18
Venue: Multiple venues in London
Details have been released on the eight proposals competing to serve as the UK Pavilion at the 2015 Milan Expo. Each design draws inspiration from the theme “Grown in Britain: Shared Globally,” which is intended to showcase Britain’s contribution in research, innovation and entrepreneurship to the global food challenges.
Presented anonymously, the proposals will be reviewed by an esteemed jury before a winner is announced in May.
Check out all the innovative proposals, after the break…